Production, Destruction, and Avant-Garde was a collaborative editorial project created alongside history students at Royal Holloway. Working as Lead Graphics Representative, I managed a small team of designers to develop a printed booklet and large-scale posters that translated academic research into a more visually engaging and accessible format.

The project focused heavily on typography, pacing, and layout systems to balance large amounts of written content with a strong visual identity. Throughout the process, I worked closely with both the design team and stakeholders to refine concepts, organise workflows, and evolve the publication as ideas developed. The final outcome became as much about collaboration and experimentation as it was about the finished printed piece itself.